The Grinding of Sand on Tiles…”: Forms of Female Subjectivity in “DAU. Katya Tanya”
Participants lived in a massive, specially constructed set in Kharkiv for years, following 1950s Soviet rules, wearing period clothing, and eating period food. DAU. Katya Tanya
[Cut to Black] Sound of a ticking clock stops abruptly. Text on Screen: THE EXPERIMENT CONTINUES. Caption: "In the search for truth, who is the real prisoner? The subject, or the observer?" The Grinding of Sand on Tiles…”: Forms of
: Like much of the series, the film features lengthy and explicit sequences of sex and masturbation, which some viewers find provocative and others see as unnecessary "smut". Key Details DAU. Katya Tanya (2020) - eggylettuce - WordPress.com following 1950s Soviet rules